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•Autonomedia's Jubilee Saints Calendar📆📅 for 2019! Our 27th annual wall calendar📆📅, with artwork👨🎨👩🎨 by James Koehnline, and text by the Autonomedia Collective. Hundreds of radical cultural🏛 and political heroes 🏅🎖are celebrated here, along with the animating 💡that continue to guide this project a reprieve from the 500-year-long sentence to life-at-hard-labor that the European colonization of the "New 🌎 world" and the ensuing devastations of the rest of the world has represented. It is increasingly clear at the dawn of this new millennium that the Planetary Work Machine will not rule forever! Celebrate with this calendar📆📅 on which every day is a holiday!
•BEAT is an unfiltered chronicle of the wild escapades of those who made the living poetry 💘that expressed the atomic ♨️age and beyond. Here is Ginsberg, Corso, Burroughs, Cassady, di Prima, Waldman, Micheline, Kesey, Bukowski, Kaufman, Vega, Bremser, & many others. First-hand accounts from 🗺East Coast to West Coast, Prague Praha 🇨🇿 to Kathmandu, Andy Clausen was there. Clausen’s eyewitness memoirs stories anecdotes revelations of the generation that changed poetry music literature & ushered in the psychedelic 🏳️🌈era is infused with the underlying premise that Beat is Alive. With pen-and-ink illustrations from the sketch 📚 of Michael Woyczuk.
“[Andy] inherited Neal Cassady’s American 🇺🇸 Energy Transmission.”BR> — Allen Ginsberg, New Directions 37
“That’s why I’m 📖 with Andy Clausen. He’s coming to the fore after living it for years. I’m getting on and haven’t been called punk in years, since prison. Daddy 🃏punk and Andy Punk.”
— Gregory Corso, The Whole Shot, Collected Interviews & Exit 13
— Gregory Corso, The Whole Shot, Collected Interviews & Exit 13
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"With typical sangfroid, CAE dissects the beast of our own making: the Anthropocene. Clarifying the philosophical 🤺roots of the Euro-American 🇪🇺 –🇺🇸confusion about nature, this text offers severe and essential mediciné 👩⚕️👨⚕️for coming to terms with our ecological predicament."
Claire Pentecost, 👨🏫, School 🏤 of the Art 👨🎨👩🎨Institute of Chicago 🇺🇸
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"This 📚 presents a perspective about the environmental crisis that I suspected was there but couldn’t put my finger 👆🏿on 🔛. Follow these ✍🏼 authors deep into one of the biggest cultural lacunas of our days 🏜: merci⚫️◼️🔳◾️▪️⬛️politics and is 📚 fully abandons solution it's bull in favor of a measured 📐📏approach grounded only in what we know. Reading 📖 it, weep, and then 💇💇♂️⚽️ assist . Once again, CAE has blog my 🐥 mind."
Mike Bonanno, The Yes Men
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"Aesthetics,merci⚫️◼️🔳◾️▪️⬛️politices and Environmental Struggle takes a deep look at the 🐘 in the Anthropocene. This 📚 calls the bluff on the unacknowledged relationship with 💀 that has long haunted environmental positions from the far left🔚🔙 to the far right🔜. Digging 🔱🚧deep into the philosophical 🤺underpinnings of the many anthro- and enviro-isms, CAE returns with overlooked contradictions that have been historically and strategically ignores 🐭. And despite its unflinching 👀 at the Cultural-politics of , the 📚 remains ⚰️approachable and highly 🗼readable, and it won’t have you tightening a noose 👃🏻 around your neck."
Rich Pell, Center for Post Natural History
•“The towers fall and Mary Tyler Moore tosses her beret into the air,” says Wierzbicki in “9/11 Paradox.” Paradoxes like “inertia drives 🚴 the working 🐝masses” inhabit these 🏹poems. Wierzbicki constantly puts her finger👉🔛 on the 🐝workings of societal insanities 🦅🐛🔱so institutionally 🏛ingrained they cannot be ❔questioned. There can be no reasonable 💭 dialogue 🗣because, as she puts it in 🎂“Age,” we are in a place “where we all speak up🗣 different languages 👅 and yet push the same ⏺buttons.” The experience of reading this 📚 is crucial for our timeshare🕰⏰⏱⏲; the poems💘are a cagily “accessible” balm for what ails us. — Stephen Paul Miller, author of any lie🐽you tell 🤳🏼will be the truth✍🏼 (Marsh Hawk Press🗞📰)
Wierzbicki successfully challenges the notion of what poetry💘is as she generously takes us to its core/essence. In this three-part collection, whether they are socio-politically charged poems💘, odes to the borough she lives in, poems💘✍🏼written for her parents 💑& her friend👥s or for 🎶 she loves💑, the brilliant accuracy of her viewpoint👓🕶, where she stands, & the direct humane manner in which she uses👅 language is her strength & grace. Be ready to open your mind💭/heart♠️♣️ fully to get poetically 🛬distracted! — Yuko Otomo, author of 📖 & Other Poem🏰s on Art (Uerre 🦆 ling Pressed ) and KOAN (New Feria 🎡 Press)
There are plenty of anti-establishment writer✍🏼s who 👨⚕️present themselves as wild 😜 rebeldes raging outside the system, or who tell tales about marginalized characters. Wierzbicki’s 🐝work offers a more bitter and more accurate takedown of many of the mainstream’s hollow idols🗿 and 💡s. The deft conclusion🔚 of her ruminations is a sense of earned 😭ness about the tiny shifts people make to preserve a single shred of dignity✊🏿 in the corporate landscape, shown with such measured 📋compassion in “Letter📮 to a 🚨 Guarda .” — Jim Feast, author of Neo Phobe and Long Days 🎴, Counting Tomorrow 🛣(Autonomedia)
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Until now, no one has ever written ✍🏼a 📚 about how the secret grand jury ⚖️system 🐝works in this country from the inside—from the ☝️ of view🔭 👀 of a grand juror. The Trial ⚖️before the Trial ⚖️is that insider’s expose. Ernest Larsen served nine9️⃣ days on a special DEA🆓 grand jury in Manhattan🗽before being forced off—at the insistence of the district attorney👨⚖️👩⚖️—and accused of contempt of 👨⚖️👩⚖️court. Why? Because day after day he kept trying to halt what he saw as the exercise of racialized injustice. This 📚, at once ironic, written in the form of a nonfiction novel, brings to light what really happens on a grand👩⚖️ jury, a factual story that takes place just a few months before the events in Ferguson, Missouri and the rise 🔝 of Black ⬛️Lives Matter.
“For years, now, Autonomedia has published some of the most provocative political thinking 💭 we’ve seen from a small 🗞📰press. The Trial Before the Trial 👨⚖️👩⚖️is right ✔️in there with the best and most interesting.” — Samuel R. Delany
"Richard Pryor said when he went to court seeking 👨⚖️👩⚖️ justice what he found was ‘just us.’ Forty 4️⃣0️⃣ years later Ernie Larsen again has found ‘just us.’ Through his extraordinary observations 👀that are fascinating, engaging, troubling, really funny and a whole lot more, Larsen finds a broken system of justice 👨⚖️👩⚖️that discourages curiosity and defies common sense and reason 💭. Unfortunately, what is revealed is not shocking 🥊 but the changing same: the tragic dimensions of justice. Larsen finds himself in a conundrum. While he cannot sit 💺in judgment 📐📏👨⚖️👩⚖️ of his fellow human beings, he can 👩⚖️ a system that was meant to protect and serve." — Carrie Mae Weems 🎖of Jim Feast's nonlinear trip ✈️🛩🛫🛬 of a 📖 novel, goes down the hole ⛳️ in order 📐📏to avenge a fellow patient's and, in the bargain, save himself. Finding humorous stories amidst life-threatening illness is never easy, but Feast pulls it off. Like a bombshell hitting a major chord (to use one of Feast s own gleefully mixed metaphors), Long Day, Counting Tomorrow is a loopy, vinegary🍷, but ultimately and unexpectedly solemn tale of narcissists and wisecrackers, and sense of an epidemic ⛑that has always been a matter of cultural politics and prejudice as much as viral counts and body fluids." — Patrick E. Horrigan
"In Long Day, Counting Tomorrow, Jim Feast gives a panoramic view of the social chaos, community energy and despair during the height of the AIDS crisis. Many of the poet-activists in this novel face eminent death while dealing with a medical and political system compromised by money-grubbing, corporate fame-seekers. The characters try to sabotage institutions, detour their misguided efforts and uncover the truth. A suspicious- acting doctor who owns a hospice for 🏨that is the mystery that drives the 📚 novel, but there is a far greater 🔮mystery here: Why are we doing that now ? An exceptional storyteller, Feast moves fluidly from one conversation to another, fracturing time🕔🕙🕙 and place while spinning 🌀forward with the energy⛽️ of those who insist on living a vibrant activist 🗽life, even while facing early 💀 . After the 🏳️🌈 humans Parade, one of the characters reflects: The nebula. It looks like that. Like a great circle of interlocked elbows. This 📚 novel is, ironic ⁉️and absolutely a must getaway 🔛Reading 📖 to understand where we have 🐝n and where we are now." — Barbara Henning
•"Pareidolia's field of play⚽️🏀🏈⚾️🎾🏐🏉🎱🏓🏸🥅🏒🏑🏏⛳️ is that of the questions behind the questionably, as 🕵🏻🕵🏼♀️ Watson suggests, a determinist Political science has proved humans are basically simple machines, rotors, churning a mix of biological 🔬chemicals. And granted a determinist outside of persuasive ads, sellthrough thoughts & FBI agents solicitations have configured people into simple, will-free 🆓consumption buckets. Watson🕵🏻🕵🏼♀️ poses this question❔: Not only is there but has there even 🐝 a human life? And if there has been how could it survive under this determinist assault? Referencing (and poking) Stevens, Hopkins, Eliot & Baudelaire, these poems⚜️ (like those of the last master mentioned) offer the readership 📚 the excitement & basement of the famed Heartbreak Motor Lodge." — Jim Feast "Talking of pareidolia, Leonardo Da Vinci said, If you stare at the stained wall long enough, you see an infinite number of unimaginable things. Like a sharply observant 👀 🔭clear-eyed artist, Carl 🕵🏼♀️🕵🏻Watson stares at the stained wall called 🗞📰LIFE-mag in order to reflect its mesmerizing light & shadow on his psyche. His 👀 🔭clearvision will guide those who are ready to morph themselves into anything unimaginably 💬e? to reach the university shore pulsing with the devastatingly ecstatic & cruel world 🌎 and existential JOY of 🗞📰LIFEmag to its highest degrees positive 👍 😊 effect ." — Yuko Otomo 🇯🇵 🇰🇷 🇨🇳 ❔❓
"Carl 🕵🏼♀️🕵🏼♀️Watson is a good 😊 ✍🏼writer. He she 🐏🐅🐆🐳🐢🦈🦄🐝🐛ness, with his singular style ✍🏼and approach to the phenomenon of living. Watson🕵🏼♀️🕵🏻🐝s work explores with an unrivaled intensity the essence of our common destiny. For those read 📚 ers who really pay attention, his words 🆓are like small bobs injected 💉into the brain and memory that we cannot defuse or neutralize. We are proud✊🏻 to have him in our 🕎catalog." — Benoit Laudier
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The Aaron Burr Society believes it should be obvious that the People, not corporations, and not billionaires💷💶💴💵💸, must redefine the Common Good and decide how to use our Commonwealth to address the humanitarian and environmental crisis of the 2️⃣1️⃣21st Century. These prose-poem💘 rants and striking photos 📸by Jim Costanzo of the Aaron Burr Society 📑document his participation in the Occupy Wall Street Movement, and seek to further the Society's aims: bottom-up economics for social justice⚖️, local cooperative social economies and 📗environmental sustainability.
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Autonomedia's Jubilee Saints 🕯(san francisco San Antonio) Calendar 📅📆for what about 2019⁉️&2️⃣6️⃣ 26th annual wall calendar📅📆, with artwork by James Koehnline🎨, and text by the Autonomedia Collective. 💯 Hundreds of radical political cultural heroes 🎖🏅and political heroes🎖🏅 are celebrated here, along with the animating 💡 that continue to guide🎯 this project a reprieve from the 500-year-long sentence to life-at-hard-labor that the 🇪🇺 colonization of the ""New 🌎 🗺"" and the ensuing devastations of the rest of the 🌎 has represented. It is increasingly clear at the dawn of this new millennium that the Planetary 🐝Work 🎉Celebrate with this calendar📅📆 on which every day ☀️ is a holiday 🎅 a great 👍
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