Barbara Epstein. 1991. Political Protest and Cultural Revolution: Nonviolent Direct Action in the 1970s and 1980s. Berkeley: University of California Press. 

Margaret E. Keck and Kathryn Sikkink, 1998. Activists beyond Borders - Advocacy Networks in International Politics. Ithaca, NY: Cornell University Press. 

http://www.slack.com (‘How often do you attend church?’less willing than their parent’s and grandparents to channel their political energies through traditional agencies exemplified by parties and churches)⚠️Support for New Social Movements-&-the spread of cheap mass-circulation newspapers🗞📰, and the establishment of traditional groups in civic society exemplified by the organized labor movement, civic associations, voluntary groups, and religious organizations⁉️eroding engagement through civic associations such as churches and unions. 😒See Jonathan Baker. 1999. Street-Level Democracy: Political Settings at the Margins of Global Power. Connecticut: Kumarian Press. 

🏛John F. Kennedy School of Government Harvard University 🔛🔝the National Trust (1895). For a discussion see David Held. 1999. Global Transformations: Politics, Economics and Culture London: Polity Press; Joseph S. Nye and John Donahue. 2001. Govern in a Globalizing World 🌎. Eds. 🇺🇸Washington DC: Brookings Institution Press; Daniele Archibugi, David Held and Martin Kohler. 1998. Re-imagining Political Community: Studies in Cosmopolitan Democracy. Stanford,🇺🇸CA: Stanford University Press. M. Kent Jennings and Jan W. van Deth, et al. 1989. Continuities in Political Action: A Longitudinal Study of collective individual Political Orientations in Three 🇨🇦Western Democracies 🇬🇧🇪🇺; New York🇺🇸: Walter de Gruyter. One major challenge facing attempts to understanding and document the extent of protest ♿️politics is that these activities are often situational🛄rather than generic. In other words, demonstrations, occupations and unofficial strikes🚮 are often triggered 🛅in reaction to specific events and particular circumstances💭“if difference, then resistance”, depending upon the structure of opportunities generated by particular issues, specific individual events and the role of leaders, rather than reflecting the distinctive social or attitudinal profile of citizens.

The in between ‘conventional’ and eroding engagement through civic associations such as churches and unions are situational. But this focus may have overlooked🔦📐📏🔍🔎 important ways that modes of political activism have been reinvented in recent decades—In Studies in Cosmopolitan Democracy. Stanford, CA: Stanford University Press's post-industrial societies the younger generations, in particular, have become less willing than their parent’s and grandparents to channel their political energies through traditional agencies exemplified by parties and churches🆗... 

DEMOCRATIC PHOENIX: PIPPA NORRIS. APSA 2002. 8/8/2002 1:17 PM HOW TO HOLD A GRUDGE From Resentment to 😌Contentment the Power of Grudges to Transform Your Life Sophie Hannah/ Beth Kempton/ Fred Moten: "My favorite movie is the Shoes of the Fisherman and I want to be like this character in it named Father Telemond. He believed in the world. Like Deleuze. I believe in the world and want to be in it. I want to be in it all the way to the end of it because I believe in another world in the world and I want to be in that. And I plan to stay a believer, like Curtis Mayfield. But that’s beyond me, and even beyond me and Stefano, and out into the world, the other thing, the other world, the joyful noise of the scattered, scatted eschaton, the undercommon refusal of the academy of misery". "Fred-Moten puts it, precisely because we hear something in them that reminds us that our desire for harmony is arbitrary and in another world, harmony would sound incomprehensible. Listening to cacophony and noise tells us that there is a wild beyond to the structures we inhabit and that inhabit us"(2013-JACK HALBERSTAM). The first thing I made everyday when I went to university was myself, and the university these days is not necessarily the best place to make yourself. 

FRED: I agree with that too. We were talking about how it was a way for us to understand who we were, and what was going on where we are between 🇲🇽 and Latin American🏆We were talking about how it was a way for us to understand who we were, and what was going on where we were – and to try to take more fully into account the necessity of understanding what your own conditions are. So, let’s say that in some ways, the academic labor writings represented attempts at location and locating, mapping some sort of terrain that you were within. And I think the later stuff is much more interested in trying to achieve a kind of dislocation and a kind of dispersion – and, therefore, it claims a certain mobility. I agree with Stefano, well I don’t know if we had to do that, but that’s where we got started. We could have got started in another way. 🛬🛫• WABI SABI 🇯🇵 WISDOM FOR A PERFECTLY IMPERFECT LIFE—ARISTOTLE'S WAY HOW ANCIENT WISDOM CAN CHANGE YOUR LIFE EDITH HALL👌Oscar best picture 1968 Oliver! &🇨🇭 ⛑Loathing Billy Joel I'm Keeping the Faith📚 📚 📖 like the other volumes, it offers significant excerpts from the works of outstanding Cultural dissemination 🇺🇸 🇬🇧 🇪🇺 MODERN BLACK WRITERS — MODERN AMERICAN LITERATURE— MODERN BRITISH LITERATURE — 👍 👌 modern commonwealth literature 🆙🆗John H. Ferres/Martin Tucker MOULTON's 📚 of literacy

MODERN 🇫🇷Literature 

Modern Latin American literature with David William Foster and Virginia 💐/ Modern 🇩🇪 literature/ modern slavic literatures and modern romance literatures —FREDERICK UNGAR PUBLISHING CO. 36 Cooper Square at 🗽NEW YORK, N. Y. 10003

Una Ellis–Fermor. The Irish 🍀 Dramatic Movement, 2nd ed. (London 🇬🇧 Methuen, 1954), 

🎭DRAMATIST 🇮🇪 🇬🇧 👑 SOME OF THE PLAYS MENTIONED & TITLES I LIKE Are 📝at 📚the 📖 http://www.bbfmonterrey.org 🔛REF 809.204 MAJ MAYOR MODERN DRAMATIST : 🇺🇸 🇩🇪 🇦🇹 🇨🇭⛑special case 📖 ☕️ methodology public opinion study 📖 from a library 📚 of literary criticism 🔛BRITISH 🇬🇧 AND 🇮🇪 IRISH 🍀 DRAMATISTS 🔛 🔜🎭Behan, Brendan: Theatre 🎭 The Quare Fellow (1954)

Richard's Cork Leg (1972)

Theatre 🎭 Bond, Edward: 

The Bundle (1978)

Early Morning (1968)

The Fool (1975)

Lear (1971)

Narrow Road to the Deep North (1968)

Passion (1971)

Restoration (1981)

Saved (1965)

The Sea (1973)

The Woman (1978)

The Worlds (1981)

🎭COWARD, Noel🎭

Bitter-Sweet (1929)

Blithe Spirit (1941)

Cavalcade (1931)

Conversation Piece (1934)

Design for Living (1933)

Hay Fever (1925)

I'll Leave It to You (1920)

Present Laughter (1939)

Private Lives (1930)

Quadrille (1952)

Sail Away (1961)

A Song at Twilight (part of Suite in Three Keys, 1966)

Suite in Three Keys (1966)

This Was a Man (1926)

Tonight at 8:30 (1935)

The Young Idea (1922)

🎭Eliot, T. S. 🎭

The Confidential Clerk (1953)

The Elder Statesman (1958)

The Family Reunion (published 1939)

The Rock (1934) & Sweeney Agonistes published 1932.

🎭WILDE 🍀 Oscar🎭

The Duchess of Padua (published 1883, produced in New York 1891 under the title Guido Ferranti)

An Ideal Husband (1895)

The importance of Being 👂 earnest (1895)

Lady Windermere's Fan (1892)

Salomé 🎭written 1891, play banned❕from London Stage 1892, published in 🇫🇷language 1893, published 🇬🇧language 1894, produced in Paris 🇫🇷 1896.

🍀Pd1 The Dublin university review💬 

As the beginnings of Oscar Wilde writings the self dramatizing egotism they command rather moreover with Salomé 🎭written 1891, banned from London Stage 1892, published in 🇫🇷language 1893, published 🇬🇧language 1894, produced in Paris 🇫🇷1896... they comprise the greater part of his Romantic drama, and the strident internal conflicts expressed in them; though temporarily gagged by irony or muffled by mythopoeic distances in the narrative and critical endeavors of the of the 1880s, broke out again in Salomé. 🎭In where their Romantic form at least 😷💬whatever prompted Wilde's choice of the woman hero, he evidently found in V., B., and Salomé figures expressive of that Romantic conflict which occurs when the exceptional personality, as it must, seeks self–perfection in despite of law and duty.✍🏽.✍🏽.✍🏽.Rodney Shewan. Oscar Wilde: Art and Egotism (London 🇬🇧; Macmillan, 1977).

Theatre 🎭 🇩🇪 🇦🇹 🇨🇭 ⛑DRAMATIST FRIEDHELM RICKERT, 📚EDITOR: of

Brecht, Bertolt (1898—1956)

Coments by Julius Bab. Hannoversches Tageblatt. Dec. 23, 1922✝️

Herbert Ihering. Berliner Borsen-Courier. May 12, 1923✝️

Paul Fechter. Deutsche Allgemeine Zeitung. Feb. 19, 1926✝️

Bernhard Diebold. Frankfurter Zeitung. Sept. 27, 1926✝️

Lion Feuchtwanger. In Hubert Witt, ed., Brecht—As They Knew Him (Berlin, Seven Seas, 1974).

Alfred Polgar💬 

Pd2 

THE NEW YORKER 2019: THE ART WORLD 🌎 Philosophy Doctorate recollection PARADOXES 🐝🦉🐬🐏PETER SCHJELDAHL I think 💭 of the oft-told anecdote of (Jackson) Pollock asking Lee krasner, of a drip social art work that he had just made, "Is this a painting?" (several good-to-O.K. Sociocultural works). On the drama from abstract expressionist and the psycho logical true creativity they culturally practice; therefore they are ☝️ stately shaped canvas by the 🇺🇸R. Mangold and ⛑oneself so-so example by 🇦🇷 Alejandro Puente.

Pd3 

See Jonathan Baker. 1999. Street-Level Democracy: Political Settings at the Margins of Global Power. Connecticut: Kumarian Press. 

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